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Artist Salon 1890


jaxenro

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I have started my artist Salon circa 1890 (although I am a little slack on the time frame). I will be featuring the works of three Victorian Classicist Painters

John William Godward

Albert Joseph Smith

Frederic Leighton, 1st Baron Leighton

This will basically be a picture frame of framed pictures. I am using the following paintings for reference

Salon du Louvre 1787

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Somerset House 1800

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I started with an empty frame from goodwill

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and added the back wall painted in a pale blue

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I have crown molding, wainscotting, and a set of double doors on order the plan is to paint them ivory. I normally don't paint a surface I am going to glue to but in this case I think it will be ok. I have also started treating prints to look like oil paintings and cutting out frames, I have 26 pictures selected but might need more. 26 is a lot of frames to cut

 

Edited by jaxenro
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I am planning this as the centerpiece over the double doors - Flaming June by Leighton - a heavy gold frame to set it off against the ivory and blue background - when the doors are added the scale will show better

nrgK1hF.jpg

Edited by jaxenro
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Been playing with white metal 1/43 car kits I made the backdrop from a 1/48 scale bank I cut up and repainted

still need to even out the paint some and finish the windows the pavement is actually the back wall cut apart and laid flat

 

13hzuqN.jpg

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Just a quick shot to show how the "paintings" will look in place gives an idea of the scale

I am trying to find a Jamestown door, or at least the top of one, to enhance the double doors I bought, without paying an arm and a leg for just the top piece so if you see a cheap one steer it my way

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UaU0Ide.jpg

Edited by jaxenro
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Probably but now that I am looking at I am not sure do I use the doors, which take up a lot of room, or just use the wainscotting and the matching strip at the top, buth painted ivory? Or gold? The doors take up a lot of room. And would you go with ivory or gold paint? I am leaning towards leaving the doors off and saving them for when I have a larger frame as I know I will do nother one of these

wainscotting (not trimmed to fit yet)

MLtxnRB.jpg

door

7TvJfQH.jpg

 

Edited by jaxenro
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1 hour ago, Medieval said:

What about a painting of doors where the doors go? It might not look like a salon then....

Either way all I am modeling is a slice of a larger wall. My thinking with the doors was to show scale but they take up so much space I am really thinking of leaving them off. 
 

now I am just split between gold woodwork or cream ivory color

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Joel, I'm enjoying the creative process and evolution of this project. Thank you for sharing it with us. Have been thinking of how I would approach it. For what it's worth, I think you are right about saving the double doors for a larger frame. The source photos show openings in the wall, not closed doors. especially not closed double doors front and center. You might consider a smaller door off to one side, although a 6-panel door seems out of keeping with the period. Maybe an opening with a tromp l'oeil view through a thick wall or into the next room?

The paintings are spaced much closer together than in the mockup. I'd put no more than 1/8th of an inch between most of them to get that jam-packed feeling.

I'd also include a sliver of flooring at the bottom of the frame to anchor the wall and give the scene some depth.

As for painting the wainscoting, have you considered staining it? A rich wood stain would not compete with the paintings and contrast nicely with a bit of wood flooring in a lighter stain, with the boards angled toward the vanishing point of the scene, or in a marble checkerboard, much as I did in my African shadow box

As I said, I am enjoying watching this project evolve. It is an elegant showcase for your beautiful paintings and will be outstanding, no matter how close you keep to the source pictures.

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The paintings are spaced much closer together than in the mockup. I'd put no more than 1/8th of an inchbetween most of them to get that jam-packed feeling”


Agreed on this in the second example the frames are almost touching. I think I will skip the doors also. 
 

“Cream ivory, Joel.  You already have all those heavy gold frames on the pictures.”

and I like the cream on blue. I was originally thinking Wedgwood colors when I looked for a pale blue this one came out slightly darker. Darker than the paint looks wet I think maybe because I painted over a dark base

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It's hard to get the camera to focus in on the overall picture, it seems the blue field just doesn't let it grab focus, so I did a couple close ups as well. Next one I will add some depth to the box this one is essentially flat. Need to get a little more paint in the deep groves

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R1lmy97.jpg

Edited by jaxenro
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  • 3 weeks later...

Getting there I have a dozen framed looks like I will need another dozen. I Will decide on the final layout when I have them all framed but mostly the larger ones at the top so they can be seen from the floor better

7jX6gpH.jpg

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1 hour ago, jaxenro said:

Getting there I have a dozen framed looks like I will need another dozen. I Will decide on the final layout when I have them all framed but mostly the larger ones at the top so they can be seen from the floor better

Nice, Joel. I like the variety of designs in the frames.

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This is a great idea and can't wait to see it when it is complete. 

I would love to know what you are doing for this: I have also started treating prints to look like oil paintings. 

I have thought about the best way to do this and I would love to hear your process.

Kim 

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